DVC STUDIOS · COMMISSIONS

Two films you can buy. Fixed prices.

Pick the film, send us your product and one launch you admire, and choose from three storyboards. Paid upfront, delivered in about two weeks. Reviews and explainers on our channel are not for sale; here is where the line sits.

COMMISSION

Launch Pack

$7,500FIXED PRICE · PAID UPFRONT · ABOUT TWO WEEKS

Everything a launch needs to move: one film, the ad cuts for every feed, and the page they point to. Delivered to you, published under your name.

01

Launch film

60 to 90 seconds, paced from one or two reference launches you choose, built from your real product, not mockups.

02

Nine ad cuts

Three hooks (pain first, result first, offer first), each laid out for 9:16, 1:1 and 16:9. Captions burned in for sound-off feeds.

03

Landing page

A launch page built from the same design file, with the film looping muted in the hero.

04

Design file

Your voice, colour, type and motion rules in one file, cited from your own site and product. It drives every piece and it is yours to keep.

FIRST LOOK

First Look

$5,000FIXED PRICE · PAID UPFRONT · ABOUT TWO WEEKS

A 5 to 7 minute explainer of what your product does and why it matters, made with your team and published on the DVC channel. Every paid First Look says so, on screen and in the description.

01

The film

Source-led diagrams, narration and an original score, in the format of the Ammonix First Look.

02

Published by us, labelled as paid

It premieres on the DVC channel with a PAID FIRST LOOK card in the opening seconds, the same words in the description, and YouTube's paid promotion label switched on.

03

A copy for you

The master file, licensed for your own site, sales decks and socials.

04

Accuracy review

Your team checks the facts before release. The label, and what we say the evidence shows, stay ours.

HOW A COMMISSION RUNS

Two decisions are yours. The rest is ours.

You choose the storyboard and you sign off the cut. Between those gates the film is built in code from one design file, so notes land as re-renders, not restarts.

  1. DAY 1

    Brief and references

    A thirty-minute call. You send your brand files, product screenshots and one or two launch videos whose pacing you like.

  2. DAY 3

    Three storyboards

    Three genuinely different options, each with a hook and a scene-by-scene plan. You pick one. Nothing moves until you do.

  3. DAY 8

    First cut

    A full draft. Your notes come back as timestamps; each one is fixed or answered with the rule behind it.

  4. DAY 10 TO 14

    Delivery

    Final film, cuts and page. Every scene is code, so a late change is a re-render, not a reshoot.

TERMS

The short version.

Everything that usually hides in a statement of work, on one screen.

Payment
The full price, by invoice, before production starts.
Revisions
One round of timestamped notes on the first cut is included. Every note is fixed or answered with the rule behind it.
What you own
The delivered films, cuts, page and design file, for your own channels. Licences for music and generated footage are listed with the delivery.
What we keep
The right to show commissioned work in our portfolio, marked CLIENT WORK. Tell us before you sign if a launch is under embargo and we hold it until it is public.
What is not for sale
A Trust Test or a DVC Explains episode, at any price. We also do not run a Trust Test on a company that paid us in the previous twelve months.

THIRTY MINUTES · NO DECK NEEDED

Tell us what you are launching.

Bring the product, the date and the one thing people keep misunderstanding about it. If a film is the wrong tool for it, we will say so on the call.