Launch film
60 to 90 seconds, paced from one or two reference launches you choose, built from your real product, not mockups.
DVC STUDIOS · COMMISSIONS
Pick the film, send us your product and one launch you admire, and choose from three storyboards. Paid upfront, delivered in about two weeks. Reviews and explainers on our channel are not for sale; here is where the line sits.
Everything a launch needs to move: one film, the ad cuts for every feed, and the page they point to. Delivered to you, published under your name.
60 to 90 seconds, paced from one or two reference launches you choose, built from your real product, not mockups.
Three hooks (pain first, result first, offer first), each laid out for 9:16, 1:1 and 16:9. Captions burned in for sound-off feeds.
A launch page built from the same design file, with the film looping muted in the hero.
Your voice, colour, type and motion rules in one file, cited from your own site and product. It drives every piece and it is yours to keep.
A 5 to 7 minute explainer of what your product does and why it matters, made with your team and published on the DVC channel. Every paid First Look says so, on screen and in the description.
Source-led diagrams, narration and an original score, in the format of the Ammonix First Look.
It premieres on the DVC channel with a PAID FIRST LOOK card in the opening seconds, the same words in the description, and YouTube's paid promotion label switched on.
The master file, licensed for your own site, sales decks and socials.
Your team checks the facts before release. The label, and what we say the evidence shows, stay ours.
HOW A COMMISSION RUNS
You choose the storyboard and you sign off the cut. Between those gates the film is built in code from one design file, so notes land as re-renders, not restarts.
A thirty-minute call. You send your brand files, product screenshots and one or two launch videos whose pacing you like.
Three genuinely different options, each with a hook and a scene-by-scene plan. You pick one. Nothing moves until you do.
A full draft. Your notes come back as timestamps; each one is fixed or answered with the rule behind it.
Final film, cuts and page. Every scene is code, so a late change is a re-render, not a reshoot.
TERMS
Everything that usually hides in a statement of work, on one screen.
THIRTY MINUTES · NO DECK NEEDED
Bring the product, the date and the one thing people keep misunderstanding about it. If a film is the wrong tool for it, we will say so on the call.